Monday, November 21, 2011

The Longform.org Guide to the Making of Movies

?My guide tapped at Brando's door, shrieked ?Marron!,? and fled away along the corridor, her kimono sleeves fluttering like the wings of a parakeet. The door was opened by another doll-delicate Miyako maid, who at once succumbed to her own fit of quaint hysteria. From an inner room, Brando called, ?What is it, honey?? But the girl, her eyes squeezed shut with mirth and her fat little hands jammed into her mouth, like a bawling baby's, was incapable of reply. ?Hey, honey, what is it?? Brando again inquired, and appeared in the doorway. ?Oh, hi,? he said when he saw me. ?It's seven, huh?? We'd made a seven-o'clock date for dinner; I was nearly twenty minutes late. ?Well, take off your shoes and come on in. I'm just finishing up here. And, hey, honey,? he told the maid, ?bring us some ice.? Then, looking after the girl as she scurried off, he cocked his hands on his hips and, grinning, declared, ?They kill me. They really kill me. The kids, too. Don't you think they're wonderful, don't you love them?Japanese kids??

Source: http://feeds.slate.com/click.phdo?i=65f86261c6f5477f5fafcd9fdcbca2f8

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